August Playlist

It would be remiss of me not to acknowledge Queen of Soul, Aretha Franklin, who sadly passed away this month. My first experience of Frankiln was in the 1980's with Eurythmics song 'Sisters Are Doin' It For Themselves'. Being a young girl under 10 years old, and a Eurythmics fan to boot, I remember thinking she must have been someone pretty special to be singing a duet with Annie Lennox. How right I was! Growing up when and where I did, I'd have to be living in a vacuum not to know who Aretha Franklin was. She was hugely influential on most of the artists I was listening to and in addition to the impressive number of iconic hits she had throughout the 1960's and 70's, she sang duets with huge stars like George Michael and Whitney Houston. After I saw Franklin in the 'Blues Brothers' for the first time in my teens, I knew she was legendary.

We also lost another music great this month, with the passing of rock guitarist and songwriter Spencer P Jones. Jones has played in a hell of a lot of bands since the 1970's, but my absolute favourite is Beasts of Bourbon (I freaking love that band!). He was a fantastic guitarist and he will be missed.

The Roxy talks Music - August Playlist is a bit of a mixed bag. Both Franklin and Jones are represented, as is the always controversial Madonna, who celebrated her 60th birthday this month. Happy 60th Madonna! Keep expressing your bad self!

Album Review: Raphael Saadiq's 'Stone Rollin''

2011
10 songs
Length: 43:01
Available to buy on vinyl or CD, Apple Music or Spotify

About a month ago, while at work, I got an email from my husband. ‘You should listen to this album,’ it said, ‘on your way home from work tonight. I think you’ll really like it.’ The email included a Google Play link to ‘Stone Rollin’.’ So I listened to it on my hour plus commute. Then I listened to it again. He was right; I did really like it (he knows me so well!) In fact, I liked it so much, I couldn’t get enough of it. I listened to it the next day and the day after that too. I played it all the next weekend. Since then, I’ve listened to ‘Stone Rollin’’ countless times and I own a copy on vinyl.

‘Stone Rollin’’ is the fourth studio album from American R&B singer, songwriter and producer, Raphael Saadiq. Saadiq began his illustrious career touring with Prince as a teenager before becoming the lead vocalist and bassist for the hugely successful 1980’s-90’s R&B group, Tony, Toni, Toné! After they split, he went on to form Lucy Pearl with Dawn Robinson (En Vogue) and Ali Shaheed Muhammad (A Tribe Called Quest). Lucy Pearl only recorded one album. Saadiq has collaborated with many notable artists including Erykah Badu, The Roots, Whitney Houston, Lionel Richie, Ghostface Killah and The Isley Brothers.

‘Stone Rollin’’ builds on the traditional soul style of Saadiq’s previous album ‘The Way I See It,’ to create a melting pot of styles including funk, blues, R&B and old time rock and roll. Every track on this album is an absolute gem and Saadiq delivers each style with perfect execution. The opening track ‘Heart Attack’ is a rollicking, up-tempo earworm with a classic Motown sound and echoes of James Brown. ‘Radio’ gets the vintage R&B rock and roll vibe just right (think Chuck Berry), and the album's title track ‘Stone Rollin’,’ blends electric guitar and some sassy harmonica into a flawless Chicago blues number.

Saadiq’s slower songs are just as good as his energetic ones, incorporating some beautiful and emotive orchestral arrangements. ‘Good Man’ is as gut wrenchingly soulful as they come, while ‘The Answer’ complements Saadiq’s impressive vocal range with a delicate composition of strings. The psychedelic soul tune, ‘Over You’ is my favourite track on the album. It’s a perfect hybrid of R&B, soul and rock and roll that transports me to my happy place every time I hear it. I could seriously listen to it on repeat ALL.DAY.LONG.

Saadiq is a master. ‘Stone Rollin’’ is an overwhelmingly fantastic album with a polished, classic sound that everyone should listen to. In fact, I’m so enthusiastic about this album; I want to give it away! When I bought ‘Stone Rollin’’on vinyl, it came with a free CD copy. I’ll post the CD to the first person to comment below. What are you waiting for? Get to it!

Album Review: Songhoy Blues' 'Résistance'

2017
12 songs
Length: 44:59
Available to buy from Bandcamp

Songhoy Blues are a desert blues band from Timbuktu, Mali. Their second album ‘Résistance,’ which was released this year, is guitar-driven blues rock with elements of funk, jazz and psychedelic rock thrown into the mix.

Songhoy Blues comprises four members; Garba Touré, Aliou Touré, Oumar Touré and Nathanael Dembélé. The band was formed in Mali’s capital city of Bamako after guitarists Garba and Oumar, and singer Aliou (no relation) were exiled from their home in northern Mali by the jihadist group ‘Ansar Dine,’ who took control of the region and outlawed cigarettes, alcohol and music. Garba, Aliou and Oumar identify as Songhoy people, a West African ethnic group that was once-prominent, but is now marginalized by Islamist militias who’ve imposed an incredibly strict reading of Sharia rule. The band’s name is a hybrid of their ethnicity and the style of music (desert blues) they play.

Songhoy Blues are heavily influenced by western styles of music and name Jimi Hendrix, John Lee Hooker and BB King among their inspirations. The band also worked with Yeah Yeah Yeahs’ guitarist Nick Zinner on their 2015 debut album ‘Music in Exile.’

‘Résistance’ could be described as a ‘world music’ album, and the tracks ‘Ici Bas’ and ‘Badji’ certainly have world folk music appeal. But to label it ‘world music’ would be dismissive of it’s retro, psychedelic rock/funk essence and the myriad of other styles the band dabble in.

The album’s opening track ‘Voter’ is quintessential psychedelic rock, charged with whimsical, extended guitar solos. ‘Bamako’ is a beautiful acid jazz/ psychedelic rock hybrid, with an uber-funky bassline reminiscent of George Clinton’s Funkadelic. ‘Sahara,’ incorporates a bluesy swagger with some English lyrics that add an almost post-punk feel. ‘Sahara’ is one of the few tracks on the album on which English is heard; ‘Mali Nord,’ is another that includes English in the form of a rap, telling of the band’s longing to return to a home they have been banished from.

Songhoy Blues are as diverse in their use of sounds and instruments as they are in their exploration of styles. ‘Yersi Yadda’ shifts between synths and brass, and Santana style rhythm guitar. The lovely folk sounding ‘Hometown’ pairs banjo with strings. ‘Dabari’ is driven by a steady guitar rhythm, interspersed with chanting and some well placed crescendos.

Songhoy Blues effortlessly blend psychedelic rock, funk, jazz, blues and folk on ‘Résistance’ to create a groovy, smooth sounding album with some intricate guitar work and an old school sound. It’s a fantastic album from a very promising band.

Albums To Get You Through A Sick Day

The last couple of days have been miserable. I’ve been holed up in my cosy living room with a serious case of the sniffles and a healthy dose of self pity. Thankfully, I have music to get me through these tough (and snotty) times, and so I’m sharing with you my sick day soundtrack.

Betty Davis 'The Columbia Years 1968-1969'

Nothing lifts my spirits like some classic funk and this album fits the bill perfectly. Released in 2016, this is mostly previously unreleased material that sees Davis working with the likes of Miles Davis, Herbie Hancock, members of Jimi Hendrix’s band and others. Davis is considered to be one of the most influential funk artists well ahead of her time. Just be careful this one doesn’t get you moving so much, you end up in a coughing fit.

Monster Magnet 'Dopes To Infinity'

Often when I find myself less than effervescent, I turn to the tried and true psychedelic, space rock overlords, Monster Magnet. ‘Dopes to Infinity’ was their 1995 breakthrough album with their first hit single ‘Negasonic Teenage Warhead.’ I remember watching the video clip on Rage when I was fifteen and thinking it was freaking cool. I don’t know what it is exactly about Monster Magnet that makes me feel so good, but I figure it’s best not to dwell on it.

Queen 'A Kind Of Magic'

Okay, this one is a no-brainer. If listening to Queen doesn’t make you feel better, I’m afraid nothing can. Queen are so epic and uplifting. Freddie Mercury, with his mind blowing voice, plucks at my heartstrings just like an angel on a harp (rest in peace, dear Freddie). There are so many good songs on this album, but ‘Friends Will Be Friends’ is one of my favourites.

Madonna 'The Immaculate Collection'

All of my favourite Madonna songs on one album? Yes please! I love this album, it makes me so happy, I almost forget I can’t breathe through my nose. From ‘Holiday’ to ‘Into The Groove,’ ‘Open Your Heart’ and ‘Express Yourself,’ this album encompasses all of the feels of my childhood. I was a hardcore Madonna fan before I hit my teens. Now, excuse me while I vogue.

Album Review: The New Respects' 'Here Comes Trouble' EP

2017
5 songs
Length: 16:26
Available to buy from The New Respects website or Google Play

The New Respects are a dynamic young rock n’ soul band (yes, I said it!) from Nashville, Tennessee. The band is comprised of singer/guitarist Jasmine Mullen and her cousins, the Fitzgerald siblings; twin sisters Alexandria and Alexis on guitar and bass respectively, and their brother Darius on drums. Their debut EP, ‘Here Comes Trouble,’ is high-energy, rock and roll soul, with funky beats and a classic rock guitar sound.

The Fitzgeralds are children of preachers and were raised on gospel music. Mullen is the daughter of Nicole C. Mullen, a successful Christian singer-songwriter. By their own admission, the band lived a pretty sheltered life musically; so their reference points were mostly limited to gospel music, and this forced them to experiment (Rolling Stone Magazine).

The gospel influence comes through loud and clear; particularly on the track ‘Shoes’, with the combination of Mullens’ uplifting vocals, simple percussion, choir sound, and the use of call and response. Gospel overtones are also paired well with classic rock on ‘Frightening Lightning,’ which opens with a Lenny Kravitz style guitar riff, and incorporates a raw guitar sound throughout.

Mullen’s voice is smooth, powerful and versatile, like a young Lyn Collins. ‘Come As You Are,’ is a soulful ballad that shows off her impressive vocal range. She also funks it up superbly on ‘Money,’ her rich voice accompanied by a funky bassline and jazzy drums. On ‘Trouble,’ we’re given a shot of blues rock, with Mullens’ commanding voice lending itself wholly to the blues rock sound, oozing attitude from every fibre of her being.

‘Here Comes Trouble’ is infused with youthful exuberance and positivity. There is definitely a Christian bent to the lyrics, but the aim is not to promote Christianity; it’s just indicative of who they are. The band think of themselves as a band of Christians, rather than a Christian band. As Mullen asserts ‘We have enough people, I think, writing songs about what each one believes’ (World Cafe).

The New Respects show some adaptability on their debut EP, toying with different musical styles to great effect, while knitting the whole thing together with their own signature style. And it’s refreshing! Honestly, I’ll take my rock and roll with a side of gospel any day of the week.