Showing posts with label art rock. Show all posts
Showing posts with label art rock. Show all posts

Friday, 25 January 2019

January 2019 Playlist

It's taken almost all month, but here it is; my first post for 2019. Happy new year to you all, by the way. 

I feel good about the year to come. The future's so bright, I gotta wear shades. The shades also stop the scorching, Australian sun from burning my eyes out. Seriously, it has been so freaking hot. Temperatures of the likes we've never seen before. No such thing as climate change, my arse!

So, the Roxy talks Music January Playlist has a very positive vibe. It wasn't intentional, it just turned out that way. But it's definitely reflective of my current outlook. It's crazy that it's taken me so long to put some Roxy Music on a playlist, but I really have been listening to them a lot lately, and I have to say, there's no better way to start the year. Aaaaand.... Weezer's version of TLC's 'No Scrubs' from their recently released Teal album of covers makes me laugh. 

Wednesday, 22 August 2018

August Playlist

It would be remiss of me not to acknowledge Queen of Soul, Aretha Franklin, who sadly passed away this month. My first experience of Frankiln was in the 1980's with Eurythmics song 'Sisters Are Doin' It For Themselves'. Being a young girl under 10 years old, and a Eurythmics fan to boot, I remember thinking she must have been someone pretty special to be singing a duet with Annie Lennox. How right I was! Growing up when and where I did, I'd have to be living in a vacuum not to know who Aretha Franklin was. She was hugely influential on most of the artists I was listening to and in addition to the impressive number of iconic hits she had throughout the 1960's and 70's, she sang duets with huge stars like George Michael and Whitney Houston. After I saw Franklin in the 'Blues Brothers' for the first time in my teens, I knew she was legendary.

We also lost another music great this month, with the passing of rock guitarist and songwriter Spencer P Jones. Jones has played in a hell of a lot of bands since the 1970's, but my absolute favourite is Beasts of Bourbon (I freaking love that band!). He was a fantastic guitarist and he will be missed.

The Roxy talks Music - August Playlist is a bit of a mixed bag. Both Franklin and Jones are represented, as is the always controversial Madonna, who celebrated her 60th birthday this month. Happy 60th Madonna! Keep expressing your bad self!

Monday, 28 May 2018

May Playlist

I've been listening to a lot of new (and new to me) stuff lately and this month's playlist definitely reflects that. At the moment I can't get enough of the new album Blue Poles by Jack Ladder & The Dreamlanders. Jack Ladder is a singer/songwriter/guitarist from Sydney with a very new wave, Bryan Ferry sound (his real name is actually Tim Rogers, but there's already a Tim Rogers and, like the Highlander, there can only be one). 

When I'm not listening to Jack Ladder, it's got to be the glam/southern rock stylings of Kyle Craft, the post post punk rockers Parquet Courts or New Yorker, Shilpa Ray who blends punk rock with a 1960's pop sound similar to the The Shangri-Las or The Ronettes, but with a razor sharp edge.

And as the weather gets steadily colder, I'm embracing my fast approaching middle age by enjoying a glass of sherry in the evenings before bed. And with my glass of sherry, the smooth soulful sounds of Donny Hathway, or the great lady, Dusty Springfield. So pour yourself a glass of sherry, get comfortable, and tune into the Roxy talks Music - May Playlist...

Sunday, 15 October 2017

Album Review: St.Vincent's 'Masseduction'


2017
13 songs
Length: 41:37
Available to buy on vinyl or CD, Apple Music or Spotify

St.Vincent had been on my radar for awhile now. Some months ago, reading SPIN’s 100 Greatest Guitarists of All Time I came across Annie Clark (St.Vincent is Clark’s stage name) at number 93. I made a mental note to check her out. Not long after that, I listened to her critically acclaimed fourth album ‘St.Vincentand my interest was piqued. Then my record club, Vinyl, Me Please, hinted it would be releasing a club edition of St.Vincent’s fifth album ‘Masseduction’ as its November album of the month. This has now been confirmed. ‘Masseduction’ was released publicly last week (well ahead of the Vinyl, Me Please special release), so naturally I was very eager to hear it.

Clark has a knack for making really interesting sounds with her guitar. And they mesh perfectly with a whole host of other sounds to make for some really catchy rhythms. Her songs are never boring, often morphing into different styles part way through. ’Pills,’ is an excellent example of this; beginning with a catchy electro beat, which becomes peppered with Clark’s squalling guitar, before finding a wistfully Bowiesque conclusion.

David Bowie is clearly a major influence on Clark, and the album has a sound reminiscent of Bowie’s 1990’s industrial albums ‘Outside’ and ‘Earthling.’ At that time, Bowie’s work was heavily influenced by Nine Inch Nails, which is another band that springs to mind while listening to ‘Masseduction.’ But this isn’t to say that Clark’s album is a cheap reproduction of something that’s been done before. On the contrary, she wears her influences on her sleeve while adding her own fresh stamp.

Clark gives us elements of synth pop, with retro, chiptune sounds. ‘Sugarboy’ with its pulsing beat, ‘Los Ageless,’ a touch more sultry, and ‘Savior,’ along with the album’s title track, ‘Masseduction,’ both have a somewhat Prince feel about them.

The album also sports some beautiful melancholy ballads. ’Happy Birthday, Johnny,’ with it’s understated piano is an earnest dedication, and ‘New York,’ speaks of personal loss. Both bear striking similarities to Tori Amos in parts. The celestial sound of ‘Slow Disco,’ makes me think of Annie Lennox on the similarly ethereal Eurythmics tune, ‘Miracle of Love.’

‘Masseduction’ is a masterful album. Every track is so interesting and every time I listen, I hear something or make a connection that I hadn’t before. ‘Masseduction’ has inspired me to go back and listen to all of St.Vincent’s albums in depth. Call me a newly minted St.Vincent fan!  I’d say that’s an indication of a successful album.