Monday, 28 May 2018

May Playlist

I've been listening to a lot of new (and new to me) stuff lately and this month's playlist definitely reflects that. At the moment I can't get enough of the new album Blue Poles by Jack Ladder & The Dreamlanders. Jack Ladder is a singer/songwriter/guitarist from Sydney with a very new wave, Bryan Ferry sound (his real name is actually Tim Rogers, but there's already a Tim Rogers and, like the Highlander, there can only be one). 

When I'm not listening to Jack Ladder, it's got to be the glam/southern rock stylings of Kyle Craft, the post post punk rockers Parquet Courts or New Yorker, Shilpa Ray who blends punk rock with a 1960's pop sound similar to the The Shangri-Las or The Ronettes, but with a razor sharp edge.

And as the weather gets steadily colder, I'm embracing my fast approaching middle age by enjoying a glass of sherry in the evenings before bed. And with my glass of sherry, the smooth soulful sounds of Donny Hathway, or the great lady, Dusty Springfield. So pour yourself a glass of sherry, get comfortable, and tune into the Roxy talks Music - May Playlist...

Monday, 16 April 2018

April Playlist

I was super excited when I found out The Mavis's, a beloved band from my adolescence, are doing a 20th anniversary tour for their album Pink Pills. It's been twenty years already?? Bloody hell!! I remember the first time I heard The Mavis's. A high school friend made me a mix tape with the song 'Moon Drone Gold' on it, from their 1996 debut album Venus Returning. I loved it so hard, I went and laid down thirty of my hard earned bucks for the CD (remember when CD's cost $30?)

While I was revisting the most excellent music of the Mavis's, I started thinking about all the other Aussie bands I was getting into back in the days when I was just discovering that for me, life without music is really no life at all. And that's what inspired the Roxy talks Music April playlist. These are the bands I went to see play at festivals and all ages gigs at mechanics halls. These are the bands I moshed and crowd surfed to. These are the songs of my youth. 

*It's worth noting that Headless Chickens are actually a New Zealand band, but as they are the first band I ever saw live (they opened for Arrested Development at Festival Hall, Melbourne in 1992) I decided to include them. Also, they were really cool.

Sunday, 15 April 2018

Albums That Opened My Mind

Everyone has those artists, songs or albums that opened up their minds a little bit. You know, when someone says ‘I never really listened to hip hop, but then I heard De La Soul,’ or, ‘I don’t like country music, except for Johnny Cash,’ or, ‘you won’t catch me listening to disco … unless it’s the Bee Gees’ (has anyone ever said that???)

Well here are a few albums that opened my mind to the possibility that maybe I’m not satisfied just listening to ‘what I know I like and I’m happy not to listen to anything else, thanks very much.’

KRS-One - I Got Next (1997)



I Got Next was the first hip hop album that blew my mind. I hadn’t actively listened to hip hop much, aside from the fact that I owned a copy of Cypress Hill’s Black Sunday, but my brother was a mad hip hop fan and he used to play it loud, day and night. That’s how I got wind of KRS-One; hearing his jazzy beats and catchy rhymes blaring from my brother’s shitty ghetto blaster through the closed bedroom door. Deciding this was hardly the best way to experience KRS-One, I borrowed my brother’s CD copy of I Got Next. It completely changed the way I thought about hip hop. Seventeen year old me had always dismissed hip hop as gangsta. As a woman, I found it offensive. But KRS-One was political and preached empowerment. And he was funky. ‘The real hip hop is over here!’ rapped KRS-One and I was down.

Carole King - Tapestry (1971)


My dad loved Carole King. He had a bunch of Carole King records, but Tapestry was the only one I ever played. After Dad taught me how to use his record player, I played Tapestry constantly. Dad had other records too, and sometimes I’d spin one or two of those, but I always came back Carole. It’s not the kind of album I’d usually play back then. I was all about Jane’s Addiction or Sonic Youth or The Cure. I might have listened to Tori Amos once in awhile, but not seriously. But to me, Tapestry was beautiful and sweet and soulful. These days Tapestry is still just as beautiful to me, but it's bittersweet too. Because it reminds me of Dad, who passed away last year. I have his copy and I still play it often. And I thank him for teaching me the joy of music. All music. And also Carole King.

Autechre - Chiastic Slide (1997)


I was given a copy of Chiastic Slide for my birthday one year in my early 20’s. Up until then my experience of electronic music had been limited. Aside from the electro new wave of my youth, it was whatever house music or dark drum and bass had been playing at the last rave or club I’d been at. And Aphex Twin, of course. But I had no idea electronic music could make me feel the way Chiastic Slide did. It was completely lovely with all of it’s gorgeous, intricate sounds. Like listening to clockwork. And so I discovered Intelligent dance music (or IDM for short) and artists like Squarepusher and Beefcake. In fact IDM resonated so much with me that I made my own IDM music under the name Twinkle Noodle Star a few years ago. Although I don’t listen to it much anymore, every now and then I revisit Chiastic Slide, or Squarepusher’s Go Plastic when I’m feeling a little nostalgic.

Thursday, 15 March 2018

March Playlist

We're only halfway through March and already there has been so much fantastic new music released since I last blogged. A couple of brilliant tracks from Janelle Monae's forthcoming album Dirty Computer, a rocking new album from Albert Hammond, Jr., new music from The Kills and a mind-blowing new album of previously unreleased recordings by Jimi Hendrix.

But as much as I've been listening to new music, I've always got time to revisit the classics and uncover old gems that I've previously overlooked. Aside from the 1980's revival I've been enjoying this month, I also discovered Otis Junior and Dr. Dundiff's incredibly cool, smooth hip hop album from 2017, Hemispheres, which I can't get enough of and thoroughly recommend. Check it out if you're not already familiar.

And now, without further ado, here's a sample of my March sounds for your listening pleasure....

Monday, 19 February 2018

February Playlist

As much as I love writing about music, I love making playlists. Finding just the right combination of songs that sound awesome together to convey a particular mood or message. And it's another great way to share the music I love with the world.

So, I'm trying something new: Roxy talks Music monthly playlists. Once a month I'll post a collection of songs that mean something to me. Whether it's new music I've been listening to lately, old favourites I listen to all the time, or something that is particularly significant to me this day for whatever reason.

So I hope you enjoy the very first Roxy talks Music playlist, specially designed for the month of February. Happy listening!

Tuesday, 6 February 2018

Album Review: Dream Wife's 'Dream Wife'


2018
11 songs
Length: 34:39
Available to buy on vinyl or CD or digital download

Dream Wife are a British punk rock trio based in London. Comprising of Rakel Mjöll on lead vocals, Alice Go on guitar and Bella Podpadec on bass, the band released their self titled debut album in January this year to critical acclaim. Its super fun, sugar-coated punk pop, with Mjöll’s accent (she’s an Icelandic native) giving it a fresh sound.

Mjöll, Go and Podpadec met at art college and formed Dream Wife in 2014. The band is named after the 1953 romantic comedy starring Cary Grant and Deborah Kerr and romance is rife on the album; on songs like ‘Let’s Make Out,’ ‘Taste,’ and ‘Spend The Night.’ Although it’s a far more liberated brand of romance than the 1950’s version. The band count David Bowie and Madonna among their influences. I imagine this would be the kind of album Madonna may have made herself if she was a punk rocker in the 1980’s or 90’s.

The album mixes honeyed pop melodies and harmonies with raw garage rock. Mjöll’s vocal range is interesting; shifting from sweet to powerful with so many inflections in between. ‘Let’s Make Out’ is a prime example. On ‘Act My Age’ Mjöll seems to be channeling Karen O of Yeah Yeah Yeahs. Flashes of the 90’s rock band Elastica can also be heard throughout the album, in the mighty guitar riffs on ‘Fire’ and the catchy as hell, ‘Hey Heartbreaker.’

Dream Wife spruik a strong message of women’s autonomy. Songs like ‘Somebody’ (“I am not my body / I am somebody”), ‘Spend The Night’ (“Spend the night with me / I would like to know you better”) and ‘Let’s Make Out’ (“Or are you too shy? Or are we too shy?”) reject the notion of women’s sexual submissiveness; much like the Riot grrrl punk rock of the 90’s and bands like L7, Sleater Kinney and Bikini Kill. But Dream Wife are girly too, with the lush pop melodies of ‘Kids’ and ‘Love You Without Reason’ and herein lies their great appeal. Don’t get the wrong idea though, Dream Wife still have plenty of hardcore rage; ‘F.U.U’ attests to this.

‘Dream Wife’ is a brash and sparkling punk rock debut. It is party punk rock at its best and I can’t wait to hear more from this exciting new band.

Sunday, 28 January 2018

Album Review: Derrick Anderson's 'A World Of My Own'


2017
13 songs
Length: 51:16
Available to buy on CD or digital download

Derrick Anderson has been around. Previously a member of 1990’s power pop band The Andersons!, Los- Angeles based Anderson is the current bassist for The Bangles and has toured and recorded with The Kinks’ Dave Davies, The Smithereens and Matthew Sweet, among others.

It’s no surprise then that Anderson’s debut album, ‘A World of My Own’ is a power pop dream. Crunchy, guitar-driven songs with strong melodies, catchy hooks and happy harmonies. Anderson has a smooth voice too. The complete package puts this album up there with anything by Teenage Fanclub, Matthew Sweet or The Smithereens.

The album starts strong with the opening track ‘Send Me Down a Sign.’ Energetic with an infectious hook, it could easily be a Teenage Fanclub song. ‘Phyllis & Sharon’ has the same kind of energy with powerful guitar riffs, and I’d challenge anybody to keep their foot still through the entirety of either song.

‘Happiness’ instantly made me think of Matthew Sweet, who it turns out plays guitar on the track. Sweet is not the only guest star on the album either, with The Smithereens featuring on the sweet sounding, dreamy ‘Waiting For You’ and also ‘Send Me Down a Sign’. Debbi and Vicki Peterson from The Bangles, and The Muffs’ Kim Shattuck backup Anderson on ‘When I Was Your Man’ with indie pop style jangly guitars, hand claps and backing vocals. The Bangles frontwoman, Susanna Hoffs joins the Peterson sisters for backup vocals on the lilting lullabies ‘Something New’ and ‘Spring.’

Anderson’s debut, although unashamedly power pop, is not limited to one sound. ‘You Don’t Have to Hurt No More’ is tinged with funk and ‘A Mother’s Love’ sounds like 1960’s bubblegum pop. Anderson really rocks out too; with pounding drums and driving guitars on ‘Checking Out’ and the stand out classic rock and roll track ‘Stop Messin’ About’, which is reminiscent of Little Richard. To top it all off, Anderson closes the album with a mind blowing, psychedelic blues rock version of the Beatles’ ‘Norwegian Wood (This Bird Has Flown)’.

‘A World of My Own’ showcases Anderson’s many talents as a songwriter and musician, not least of all his knack for blues, psychedelic and classic rock and roll. It’s also a quintessential power pop album. If power pop is your thing (and it’s definitely mine), you need ‘A World of My Own’ in your life.